“In the Margins” by Elena Ferrante

"Once written, besides, Neapolitan seems sterilized. It loses passion, loses affect, loses the sense of danger it often communicated to me. In my childhood and adolescence, it was the language of coarse male vulgarity, the language of the violence of men calling to you on the street, or, contrarily the sugary-sweet language with which women... Continue Reading →

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